REPORTING FROM THE KIOSK

Project Summary

The suburb of North Wollongong, NSW has a large active beach community which I capture along with food, juices, smoothies, staff, sunrises and more. I work for The Diggies Group and create content and strategy across 3 businesses. As my digital artifact, I decided to focus on North Beach Kiosk as it’s the business I work the most on in its development and decisions of content along with guidance from the marketing team. Through working as a marketing assistant I have established many skills by learning and discovering what I’m good at and enjoy. North Beach Kiosk lives on the platforms of Instagram and Facebook. I spend most of my time on my phone and laptop on these platforms creating content at home, outside and at the office. After countless discussions with the Diggies team, it’s become evident that information-producing technologies such as social media shape businesses and their reputation which heavily influences my work practices in this environment. This evolving ecology and social and technological advances are continuing to change rapidly (Wall, T. 2022). I can see this as engagement levels of certain content can change within months. This is seen at the beginning of my time working when aesthetically pleasing photos had the most engagement, then stories, then reels and now trending songs attached to reels (Tien, S. 2022). This is part of an emergent future network that progresses quickly and I have realised it’s essential for marketing professionals to have to keep up with these changes.

Learning Analysis

Utility and planning is a collaborative process that is undertaken each week. I plan posts for the week on certain days, each weekly plan is influenced by what we want to focus on and promote. Examples of focus over the past few months have been the UCI Road World Championships cycling event, school holidays, merchandise, community events, staff hiring and new menu items. I complete monthly reports reflecting upon key activities, significant learnings, communication strategies, sales, subscribers, trends, engagement rate and online feedback. These monthly reports are then used as a reference point moving forward in strategies and weekly focus points which change the approach to certain plans. This is often referred to as insights which are information that comes through research and data analysis that can be directly actioned to a business action plan (Karnowski, M. 2021). These insights aren’t always research but directly external from my boss or managers that request certain content or topics, it is then up to me to get creative with my approach in the production. I often look for inspiration from other creative cafes and restaurants liked by my boss or previous content from before my employment.

Creating Moments

Over the past few months, there have been many learning moments when creating content for different focuses. At the start of the university break we launched a Mexican-themed event at the Kiosk, I noticed through Instagram analytics that the artwork promoting the event had the most interaction of click-throughs and shares. After the event trial we brought the event back during the UCI cycling event, I collaborated with our graphic designer to create another artwork for socials as this worked previously when gaining audience attention. Through this process, I learnt that by trialling events you learn from them when creating the event promotion again or for future events.

After a loss in interaction, I noticed that happy faces among staff and customers gain a lot more engagement with followers. The sense of community is appreciated and valued online, especially in Wollongong. This has been made evident through comments and likes as people talk about how good a staff member makes their morning coffee and others like a picture when seeing their friends or family being posted enjoying a smoothie or burger. I’ve learnt that this positive vibe is very captivating on social media and makes people want to be a part of the community that North Beach Kiosk brings to Wollongong.

Promotion planning was extensive among our team leading up to the UCI cycling event that came to Wollongong in September 2022. I did this by taking photos of the cycling community at North Wollongong Beach, celebrating world bicycle day by collaborating with UCI (Wollongong 2022) and offering free coffee from 6-9 am and a video reel leading up to the event to encourage a positive attitude. It was planned that the promotion wouldn’t be as essential during the event as it would naturally be very busy; however, we weren’t busy due to the road closures. This altered our plans and I turned to reel promotion as this is the most popular form of content in terms of engagement for our audience. The video reels included how to access the Kiosk, updates on the races and our positive energy.

Reflective Themes

The constant transition of popular trends and types of content is a pattern I’ve seen very quickly at work. It demonstrates the infinite amount of information and different creative work methods. A trend that comes to mind is the timing of posts, this results in me posting at 6-7 pm most nights. The traditional model of 9 to 5 labour and permanent tasks and goals is no longer relevant in my job. Emergent future networks and the evolving ecology of technology are associated with the development of new forms of work, this analogy is commonly identified as liquid labour. I would have never thought at the start of my degree that I was going to be working outdoors every day and not in an office.

Within future networks is the speculation of future networks which explores the fictitious prediction of new future technologies (Yastrebova, 2019). Imagining what the future of social media progression might be like and what my job could turn into in the next 20 years is a method of design fiction. This methodology investigates design decisions that make the unreal seem real in a soon environment.

These themes are seen in cyberpunk and also clean and aesthetic alternatives with less ‘’stuff’ and visual chaos. This is something I think about for my future in work where communication and promotion to others through technology are critical in the marketing practice. It is a topic that will continue to progress and I will learn from in various ways throughout my career.

AESTHETICS OF THE FUTURE

Credit Warner Bros. Pictures. 2013, Joaquin Phoenix, ‘Her’

When exploring the deep abyss of speculated future networks it seems unmanageable to think where to begin. Future networks are the ecology of endless information from everything human or non-human. As humans greatly expand our capacity to comprehend, process, communicate and store information everything is changing and progressing rapidly. Within future networks, there are the speculated future networks that explore the new technologies that are approaching with big footsteps (A. Yastrebova, 2019). Within speculated future networks there’s the subject matter and aesthetics of the cyberpunk genre and the contrasted artefacts that are produced through the methodology of design fiction. Signs of future networks are all around us through different content such as aesthetics and media productions. I’ll be exploring the aesthetics of the future and cyberpunk in comparison to design fiction with a focus on the content from the films Blade Runner 2049 (2017), The Matrix (1999) and Her (2013), exploring how they fit within our reality.

Cyberpunk

Cyberpunk is a genre or aesthetic that reflects a dystopian futuristic setting that focuses on where the human meets the machine (A. McFarlane, 2021). It’s also been explained as a form of exploding information technologies and practices. Cyberpunk grew behind the computer screen and came increasingly popular after popular films such as Blade Runner (1982) and The Matrix (1999). Through the visual literature and cinematic success, cyberpunk won viewers through its strong appeal of a fascinating visual vocabulary of the future and cyberspace (C. Alphin, 2020).

Futuristic City, 2019, YouTube

The main themes that appear throughout the module focus on the explosion of information through the internet. Throughout the movie Blade Runner 2049 (2017) the content is scary, interesting, ugly and also beautiful in its mess. It features a world built on visualisation, entertainment and advertising, this is a vacant similarity within the world we live in now of constant entertainment and mess that’s on the internet. This relates to Bruce Sterling describing the internet as “strange or even unnatural” (1993) in the way of cyberpunks taking on a world that has been left in a mess of never-ending technology.

The type of content that captivates me when exploring the module is the futuristic fashion that has influenced style today. The skinny glasses, all black and leather influenced by the machine-made virtual construct. Cyberpunk fashion has influenced the clothes of top designers such as Balenciaga, Balmain and Alexander Wang who named his collection ‘Worker Girl Meets The Matrix’. The costume designer of the signature wardrobe Kym Barret says “I was trying to tell a story about what it would be like to live in that world, to feel like it was in a world of bigger possibility, and now we are in that world”.

Matrix Fashion, 2018, Glamour

Design Fiction

Design fiction is a design methodology that investigates design decisions that could be implemented in the near future. It’s argued to be a world-building exercise that promotes making the unreal seem real in the context of a soon environment. In contrast to cyberpunk, the themes throughout the module reflect design fiction to be a clean and credible aesthetic with less ‘stuff’ and visual mess. Black Mirror was an example that stood out, Nosedive is an episode within the show that reflects a dystopian view of cyberculture with a fictional illustration of social media however a dystopian view of it solely being about a social rating system. This is a scary reality of what social media’s outcome might look like in the future.

A film called Her (2013) has an interesting way of exploring this topic through artificial intelligence, based on a system that interprets external data and uses that data for tasks (M. Haenlein, 2019). Although in this case, the AI can learn and adapt near like a human which results in a love story. The visual presentation of the film features the world in a way that is sleek and modern but has elements of old style such as mid-century furniture and fashion inspired by the 1920s and 1940s. Elements noticed are picture frame computers, no cars, hiring people to write letters, holographic video games, and technology that is fashionable and non-distracting. These elements of design fiction come with far more complexities and unforeseen consequences than idyllic technology.

A. Reyes, A Poster A Day, Behance

When thinking about the direction in which the world is evolving Jean Baudrillard speaks of “the mutation of a properly industrial society into what could be called our techno-culture”, as we shift from the renaissance to the 21st century and move into the post-modern period (R.L. Rutsky, 1999). This post-modern period is still unknown but will stem from the information society and technology which is what the aesthetic of cyberpunk and design fiction is crafted by, to predict a post-modern future. Overall, as cyberpunk is seen as an unorganised mess design fiction is a guide to the near future development of a digital culture of new ideas of creativity and how this process should be organised (F. Stalder, 2005).